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    Artifact

    Prießnitzgrund - 01099, dresden

    AMTA

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    Artifacts

    Festspielhaus Hellerau - 01109, dresden

    Charlotte Eifler

    Support:

    Peter Cornicius

    Sound:

    Jay Ahmed
    Katrin Eßer
    Clara Hofmann
    Emilia Miguez
    Karolina Sobel
    Constanze Wolpers
    Grünes Gewölbe - 01067, dresden

    Charlotte Eifler

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    Artifact

    Palucca University of Dance Dresden - 01277, dresden

    Christiane Wittig

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    Fraunhofer IWU-Institut Chemnitz
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    Artifact

    Festspielhaus Hellerau - 01109, dresden

    Paul Schengber

    Julie Bader

    Emma Chapuy

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    Palucca University of Dance Dresden - 01277, dresden

    Christiane Wittig

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    Fraunhofer IWU-Institut Chemnitz
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    Artifact

    Japanisches Palais - 01097, dresden

    Jolueus

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    Artifact

    Festspielhaus Hellerau - 01109, dresden

    Paul Schengber

    Julie Bader

    Emma Chapuy

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    Artifacts

    Bunker - 01109, dresden

    Litto / Daniela Weiss

    Festspielhaus Hellerau - 01109, dresden

    Litto / Daniela Weiss

    Sound:

    Manuel Cyrill Bachinger
    BOT Botanical Garden - 01307, dresden

    Litto / Daniela Weiss

    Festspielhaus Hellerau - 01109, dresden

    Litto / Daniela Weiss

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    Artifact

    Festspielhaus Hellerau - 01109, dresden

    Paul Schengber

    Julie Bader

    Emma Chapuy

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    Support

    Festspielhaus Hellerau - 01109, dresden

    Charlotte Eifler

    Support:

    Peter Cornicius

    Sound:

    Jay Ahmed
    Katrin Eßer
    Clara Hofmann
    Emilia Miguez
    Karolina Sobel
    Constanze Wolpers
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    Festspielhaus Hellerau - 01109, dresden
    Artists
    • Paul Schengber
    • Julie Bader
    • Emma Chapuy

    Eine postapokalyptische Fiktion – eine digitale Dystopie der Herrschaft des „Physarum polycephalum“, des „Blob“, einem intelligenten, hochsensiblen Organismus mit 720 Geschlechtern, der sich ohne Gehirn zu erinnern, ohne Gliedmaßen fortzubewegen und ohne Sinnesorgane Wissen weiter zu geben vermag.

    Um den Blob in unserer Versuchsanordnung am Leben zu halten benötigte er eine dunkle, sterile, quasi leblose Umgebung, die mit Vorstellungen postapokalyptischer Welten vergleichbar ist. Eine Welt, in der der Mensch zu einer bloßen Oberfläche geworden ist - Teil der Landschaft auf der der Blob sich ausbreitet. Das Projekt ist eine Zusammenarbeit von Emma Chapuy, Julie Bader und Paul Schengber.

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    Festspielhaus Hellerau - 01109, dresden
    Artist
    • Charlotte Eiflerartist homepage

    In the gable of the Festspielhaus, after the swastika, the Red Star, the original Yin Yang symbol of 1911 was reinstated. The symbol of Taijitu forms a binary structure in which the white Yang and the black Yin can be found. Received as opposite poles in European contexts, yang is described as positive, masculine, and yin as negative, feminine.

    A queer choir wonders when the binary thinking patterns will be abandoned and proposes a throbber as a representative element in the pediment until then.

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    Bunker - 01109, dresden
    Artist
    • Litto / Daniela Weissartist homepage

    I don’t see what you don’t see and that is future. Facing the reality that we have left until 2030 to change and preserve what’s left of humanity, culture and nature.

    A digital image translation of perception in space of our scanned past, a preservation of what once was.

    It is increasingly necessary to be able to think new technologies in different ways, and to be critical of them, in order to meaningfully participate in that shaping and directing.

    - James Bridle

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    Palucca University of Dance Dresden - 01277, dresden
    Artist
    • Christiane Wittigartist homepage

    Die menschliche Überlegenheit liegt in der Kraft sich im sinnlichen zu verlieren, so, dass der Mensch es selbst zu erzeugen vermag.

    Mein Sinnesobjekt, das Kirschbaumholzstück, ein Relikt aus dem Garten meiner Kindheit. Detailgetreu kopiert, konserviert für die Ewigkeit. Aus einer Reliquie wird, mit Hilfe von erweiterter Realität, eine sinnliche Wahrnehmung erschaffen. Meine Erfahrung und die eigene innenwohnende intuitive Vertrautheit ist mit der Welt der Technologien nicht zu erfassen. Aber die Untersuchung mit der Technik und der eigenen Vertrautheit offenbart mir Abstraktionen und eine neue Ästhetik, die wiederum Raum für neue Prozesse schafft und mir Antworten und Gedanken auf die Fragen des Lebens heraus filtert.

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    Festspielhaus Hellerau - 01109, dresden
    Artist
    • Litto / Daniela Weissartist homepage

    Give me back my broken night

    My mirrored room, my secret life

    It's lonely here

    There's no one left to torture

    Give me absolute control

    Over every living soul

    And lie beside me, baby

    That's an order!

    Give me crack, give me witchcraft

    Take the only tree that's left

    And stuff it up the hole

    In your culture

    Give me back the Berlin wall

    Give me Stalin and St. Paul

    I've seen the future, siblings:

    It is murder!

    Leonhard Cohen - The Future (1990)

    Sound:
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    Japanisches Palais - 01097, dresden
    Artist
    • Jolueus

    "Quadrupes Absurdum" is a bizarre fictional city on legs, allowing it's inhabitants to change their place by walking to good spots with supposedly better influences of environment.

    Is it an utopia for all or still just a thing for the privileged, who are able to escape from climate change?

    Is it the "Game over" scenario or could we have a chance to change the world destroying structures? Hybrid forces are called for now!

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    BOT Botanical Garden - 01307, dresden
    Artist
    • Litto / Daniela Weissartist homepage

    I don’t see what you don’t see and that is future. Facing the reality that we have left until 2030 to change and preserve what’s left of humanity, culture and nature.

    A digital image translation of perception in space of our scanned past, a preservation of what once was.

    It is increasingly necessary to be able to think new technologies in different ways, and to be critical of them, in order to meaningfully participate in that shaping and directing.

    - James Bridle

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    Festspielhaus Hellerau - 01109, dresden
    Artist
    • Litto / Daniela Weissartist homepage

    The space around us seems empty. But is it? It is filled with its history, performative aspects of its inhabitants and cultural artifacts contextualizing its architecture, social cartography and different instances of reality. "Reterritorialized Space" is a series of performances wherein Litto / Daniela Weiß documents and explores spatial boundaries, conceiving them as "territory". To this end, space is translated into video, a medium that by definition lacks the depth to capture traditional notions of space. The artist introduces the concept of spatial video by adding a third dimension through digital means. In collaboration with Daniel Nuderscher & Sandro Nicolussi, a laser beam is used to scan a space with a head mounted display, a mirror mask in front of the artist's face. The reflection of the mirror creates a new way of perception. Time and space are turned upside down. The performative aspects of space take on agency. They themselves become actors in their own accord.

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    Grünes Gewölbe - 01067, dresden
    Artist
    • Charlotte Eiflerartist homepage

    The jewel robbery in the Green Vault 2019, in whose setting contemporary discourses are reflected that intertwine colonial history, class issues, justice, and the art business, forms the starting point of the work. The artifact of the grid removed by the thieves exemplifies theft as a potential moment of disorder, re-sorting, power shifting, and provenance reflection.

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    Prießnitzgrund - 01099, dresden
    Artist
    • AMTAartist homepage

    To be transparent means to be see-through, invisible, penetrable, for what surrounds you.

    thin skin as an AR work deals with the concept of transparency within our society. It is a reflection of the permeability between body and environment and deals with the question of what defines the inside and outside.

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    Impressum

    Address

    Core - Coworking Rembrandt
    SystemKollektiv, z.H. Daniela Weiss
    Rembrandtstraße 10 / 2
    1020 Wien
    Austria

    Email

    thesystemcollective@gmail.com

    Usage

    1Orientate yourself on the map or using the list view. In the list you can find more information about the artists, locations and artifacts.
    2Navigate on the map until you see an artifact, for example ‘Heartbreakhotel’ by Dagmar Rohm. Open the pop-up by clicking on the object map marker.
    3The loading process of the artifact is displayed. Wait until either the second ‘SHOW 3D EXPERIENCE’ button shows, or the 3D scene loads.
    4In AR mode (camera view appears) point your smartphone towards the ground until you see a white ring.
    5Click on the white ring and experience the artist's augmented reality.
    6We hope you enjoy the experience. If you have any feedback: thesystemcollective@gmail.com

    Android Setup

    Augmented reality on Android requires Chrome 81+ or Brave 1.25+.

    1Before loading an augmented reality scene, "Google Play Services for AR" is required.
    2Visit the Play Store
    3Install Google Play Services for AR
    4Reload the Page and follow the Instructions in Usage.

    IOS Setup

    1Click the "Install Webxr Viewer" button.
    2Visit the Apple Store to install Webxr Viewer
    3Point the Webxr Viewer to artificialmuseum.com
    4Reload the Page and follow the Instructions in Usage.

    Your device supports augmented reality applications, but this browser does not.

    Please download the Mozilla Webxr Viewer for a better experience in the Artificial Museum.Install Webxr Viewer

    Currently, only Blink based browsers support augmented reality. This includes Brave Browser, Google Chrome, Samsung Browser and others.

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    To get access to ar, please update your browser. Update Chrome.Update Brave.

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